July 11, 2011
I was reminded this weekend of how powerful visual context is in influencing our emotions and behaviour. If you’re looking for visual overload try any amusement park, wow, they have it figured out. We decided to take the family to Canada’s Wonderland for a fun – visually stimulating day.
Having two young boys, it was interesting to observe their immediate response to the visual stimulation that was of the greatest emotional appeal. While I gravitated towards the big Starbucks logo, they had found the Race Zone and Haunted House within seconds. Both of their amusements were high on the emotive scale, while mine was high on the ‘sit back and relax’ scale.
Perhaps most interesting was how an immediate response to visual context follows the proven patterns of primitive thinking (the reptilian brain), where deeper insights such as height restrictions, price verse value and mapping move us up to the new brain for a more logical thought process. It is completely irrational to be afraid of rollercoasters that turn you upside down at the speed of sound or drop you from 1000 feet in the air. Irrational because everyone survives, no one gets hurt and the big machines don’t fall apart. However our primitive brain senses danger, moves to emotional fear and creates a barrier to logical thinking.
This is true in advertising. Sex and fear both work equally well when applied within the correct context. Fashion items sell on sex appeal as does beer, whereas sports and movies like Jaws sells on fear. Look at the negative economic impact Jaws had on the Californian coast when the movie was first released. People were terrified that they would be attacked by sharks. Yes, sharks do inhabit Californian waters but you are far more likely to be killed in a car accident driving to California than being attacked by a shark. A purely irrational fear.
So, I propose the next time you’re at Disney and feel fear or are afraid to go on the Body Drop Bungee Ride check what is causing the fear and decide if it is irrational or logical and then go for it! Let me know how it went, I’ll be in the Starbucks.
October 19, 2009
On October 9, 2009 at 20:00 (EST) the world experienced its first multi-city live event that unbelievably included participation from the International Space Station. The event’s stated purpose was to raise awareness about issues related to earth’s most valuable resource- water. Guy Laliberte the founder of Cirque du Soleil and the One Drop Foundation, introduced the event called “Moving Stars and Earth for Water” and declared it as the first “Poetic Social Mission” while floating weightlessly aboard the Soyuz TMA-16 spacecraft. I have seen many of Laliberte’s Cirque performances which are well known for their dramatic mix of circus arts and street entertainment. Never before have I experienced an event that was so literally, out of this world.
Laliberte starts the event by claiming, “I am an artist not a scientist and that is the only way I can make a significant contribution to the mission and to raise awareness to water issues”. He then hooks our interest with a sobering statistic. A child dies every 8 seconds because of contaminated water. With the event now underway, we are welcomed into each of 14 cities (Montreal, Moscow, Santa Monica, New York City, Johannesburg, Mumbai, Marrakesh, Sydney, Tokyo, Tampa, Mexico City, Rio de Janeiro, Paris and London). Each city takes a unique approach to present the message artistically. One dances, one sings, Montreal showcases all that is Cirque and Mumbai takes a perfectly white set and lets adorable children hand-paint themselves blue. Some of the guests included former U.S. Vice President Al Gore, Dr. David Suzuki, Peter Gabriel, Shakira, Mathew McConaughey and even U2.
The traditional definition of event marketing or experiential marketing is the face-to-face interaction between a brand and its audience via live events. The rationale is that when an attendee recalls the event experience they will make a positive association with the brand. This positive association will make them more inclined to take action, to make a purchase or to change behaviour. Did Guy Laliberte go to this expense and safety risk to selfishly promote his Cirque brand? Cirque is certainly quite visible during the event; including a spectacular acrobatic scene involving a wall of water and excerpts from the amazing Vegas performance of “O”. Or were his intentions genuinely to promote awareness of all things water? Watch it yourself on www.onedrop.org and make your own determination. I know that after my event experience, I’m committed to doing my part to make a difference. Thank you, Guy Laliberte for pushing the traditional boundaries of events. Who else would have ever thought of an event that included a clown in space?